Saturday June 26, 2010 8-11 PM @253469
(Above: Ulysses Castellanos)
The official city of Toronto artist secure event zone taking place @253469 on Saturday June 26 from 8-11PM. "Movement comma movement; collective dream 26" is a pro-global sub-atomic art particle summit of demanding short art films, irrational video, new sound and short performance. Security costs for this extra-ordinary one night art event plummeted from an initial estimate of over one billion billion billion Canadian to just a little over nothing.
PROGRAM
7:45 East Window
Ongoing Performance:
Nicole Torok "The Names People Give Me" (PHOTO)
8:00 - 8:15 pm
loops
8:15 - 9:00 pm
SCREENING
Robert Morpheal
The Burning Times
5 minutes, 25 seconds
Karol Orzechowski
The Call, 18 mins
The Callis a meditative fake documentary (not a mockumentary) about the thin line between knowledge and insanity, learning and losing it. As the G20 caravan of doom troopers rolls through town and promotes ignorance and fear of authority, this adaptation of an H.P. Lovecraft tale reminds us that we should lean into the fear and seek to know more... even if it means the end result is that we are no more.
Lucy McKenna
Fish Freezing Factory
90 seconds
Based on an abandoned Icelandic building, 'Fish Freezing Factory' is a visual apparition of the spirit lost to an Icelandic Fish processing factory.It is a projection of images of my work onto the abandoned fishing plant building at night, filmed, and then digitally manipulated. It is inspired by the mythology and magic of the Icelandic culture, the history of Skagaströnd town where the building is situated, and influenced by the Northern Lights. The audio features a sample by Icelandic band Múm.
Wes Rickert
Blue Tarp Black Boots
2 minutes
Recently In Paree
2 minutes
Demonstration of Concept
6 minutes
9:15 - 10:30 pm
PERFORMANCE
Inverted Space Femme Theatre @253469 @ 9:15 pm
Christina Kozak, Kathleen Reichelt, Wes Rickert, Angela Eileen De Crescenzo
A non text performance based in immediate, organic and collaborative responses to the concepts of movement, water and relationships to each other.
20 minutes
Angela Eileen De Crescenzo @ 9:35 pm
Windmills
video and performance
10 minutes
Ulysses Castellanos @ 9:45 pm
CLA - CONCEPTUAL LIBERATION ARMY ACTION NUMBER 1: NARCOLEPTIC DRIFT
video and performance
15 minutes
Daeve Fellows @ 10:00 pm
Sky Demon
video and performance
10 minutes
Istvan Kantor @ 10:15 pm
video and performance
20 minutes
Optimistic Landing
Optimistic Landing is an exhibit of large format paintings on paper, plastic and canvas accompanied by words and video created in the spring of 2010 @253469.
May 29 - June 12
Optimistic Landing is painting about play in the context of a largely pessimistic and cynical world. The paintings are water based and oil based paints on industrial weight kraft paper, stretched canvas and flexible plastic created over a three week period in April (the ideal month for optimism in Toronto!) I started painting on plastic after I found a discarded plastic poster at the side of the curb in the downtown core. I liked the effect, the transparency and smoothness of the material. I also painted on large pieces of heavy brown paper which I primed in ten foot lengths. I cut them to size when I was ready to apply colour. In the spirit of play I decided not to meticulously and evenly cut the edges. There are rips and tears that haven't been covered up or repaired. They are small signs of rebellion, happy imperfections and gestures of a playful toughness, well weathered, not delicate.
All of the oil paintings have the same palette of orange, purple, yellow, pink and green. The lines, drips, dribbles, scribbles, slops and strokes are energetic, necessary and new reflecting the organic, spontaneous and emotive qualities of play. Play is an attitude in an organic process instead of a constructed one.
K Reichelt
The video is a collaborative creation by 253 & 469.
May 29 - June 12
Optimistic Landing is painting about play in the context of a largely pessimistic and cynical world. The paintings are water based and oil based paints on industrial weight kraft paper, stretched canvas and flexible plastic created over a three week period in April (the ideal month for optimism in Toronto!) I started painting on plastic after I found a discarded plastic poster at the side of the curb in the downtown core. I liked the effect, the transparency and smoothness of the material. I also painted on large pieces of heavy brown paper which I primed in ten foot lengths. I cut them to size when I was ready to apply colour. In the spirit of play I decided not to meticulously and evenly cut the edges. There are rips and tears that haven't been covered up or repaired. They are small signs of rebellion, happy imperfections and gestures of a playful toughness, well weathered, not delicate.
All of the oil paintings have the same palette of orange, purple, yellow, pink and green. The lines, drips, dribbles, scribbles, slops and strokes are energetic, necessary and new reflecting the organic, spontaneous and emotive qualities of play. Play is an attitude in an organic process instead of a constructed one.
K Reichelt
The video is a collaborative creation by 253 & 469.
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